Arts ATL
Photo: Jeff Roffman "Mezzo-soprano Emily Fons was most impressive in the trouser role of Siébel, with the kind of light, fleet...
Cleveland.com
"All the score's key virtues – color, humor, character – were as evident as can be, and one couldn't have asked for a fuller, sultrier...
Opera Britannia
"Young American soloist Emily Fons was almost beyond praise in the title role. Her powerful mezzo allied with solid technique produced fireworks in almost every aria, with...
The Opera Critic
Theodora da Silva/Int. Händel Festspiele Göttingen "Emily Fons is excellent as Faramondo – clearly a young man staking out his own...
Financial Times
Photo: Theodora da Silva/Int. Händel Festspiele Göttingen "The gifted young mezzo-soprano Emily Fons extracts all its poignancy and demonstrates ample vocal...
NewOutpost.com
Theodora da Silva/Int. Händel Festspiele Göttingen "Further reinforcement came from the ideal Siebel of mezzo-soprano Emily Fons, whose smooth lyric voice...
Chicago Classical Review
Orlofsky in Die Fledermaus with the Lyric Opera of Chicago (Photo: Dan Rest) "As Prince Orlovsky, former Ryan Center member Emily...
Seen and Heard International
Photo: Dan Rest "Emily Fons made the character of Count Orlofsky a pivotal part of the evening, with her rich mezzo...
The Santa Fe Reporter
Photo: Ken Howard "Emily Fons as Cherubino deserves special mention. She’s had illustrious predecessors here in the role, Helen Vanni, Frederica...
The New York Times
Photo: Ken Howard "The pleasures of “Le Nozze di Figaro” were different, achieved through the work of a unified and multitalented...
