Don Giovani, The San Diego Opera
Mozart gave all the memorable tunes to Zerlina, and Fons’ fresh, shimmering mezzo made the most of Moazart’s bounty, especially her aria used to comfort Masetto “Vedrai, Carino.” – Ken Herman, San Diego Story Fons…seems to be at the onset of a most impressive career. Her singing was an iridescent wave of vocal color as she…
Read MoreCold Mountain, The Santa Fe Opera
Emily Fons, also a mezzo soprano, brought rich tone to the role of Ruby, conveying rough-hewn lustiness. – James Keller, The Santa Fe New Mexican Emily Fons, singing with ringing, resonant tone, is delightful as the take-charge, mountain girl, Ruby, who comes to help Ada run her farm. – Mary Helen Klare, The Albuquerque Journal Mezzo Emily…
Read MoreOpera News
“Her interpretation of Marguerite’s lovesick suitor Siébel was anything but reserved — rather raw and exceedingly physical. Fons’ rendition of “Faites-lui mes aveux” revealed a voice that ascended the scale easily, both agile and expressive.” – Opera News
Read MoreCleveland.com
“All the score’s key virtues – color, humor, character – were as evident as can be, and one couldn’t have asked for a fuller, sultrier mezzo-soprano than Emily Fons.” – Zachary Lewis
Read MoreThe Opera Critic
“Emily Fons is excellent as Faramondo – clearly a young man staking out his own territory against Gustavo. In the aria ‘Voglio che sia l’indegno’, a raised eyebrow – as it were an inverse wink – makes the audience complicit in his sentiments. Her voice has a young man’s lightness, while still conveying the intensity…
Read MoreFinancial Times
“The gifted young mezzo-soprano Emily Fons extracts all its poignancy and demonstrates ample vocal muscle in Faramondo’s more heroic utterances.” – George Loomis, Financial Times
Read MoreNewOutpost.com
“Further reinforcement came from the ideal Siebel of mezzo-soprano Emily Fons, whose smooth lyric voice poured forth with well-oiled facility during her big number “Faites-lui mes aveux”. Her declamation was consistently well produced and alert. She also brought an ideal blend of proclivities to her assignment: tall, trim, and projective of a natural boyish charm…
Read MoreChicago Classical Review
“As Prince Orlovsky, former Ryan Center member Emily Fons added another trousers role to her growing repertorial wardrobe. Unsmiling and convincingly androgynous, the mezzo sang with warm tone and etched a superb characterization of the wealthy and eternally bored young Russian royal.” – Chicago Classical Review
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