Dorabella in Cosi fan tutte

“Mezzo-soprano Emily Fons combines stylized robotic movement with luxurious legato as Dorabella, her shimmering coloratura a glimpse of the prowess she must bring to her multiple Handel roles.” Jennifer Goltz-Taylor, Classical Voice North America “There is no lack of talent onstage, in the wings or in the pit here. The female leads truly run away with the show. Olivia…

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Donna Elvira in Don Giovanni with Madison Opera

“This entire cast is talented, but Burton, as well as Emily Fons as Donna Elvira are the production’s stars. Both women are cast perfectly for their roles, with Burton’s pure soprano giving her both deep sadness and a sharp, vindictive edge. Fons has a smoky mezzo soprano as Giovanni’s jilted noblewoman lover. She brings bitterness and…

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Mandane in Artaserse

Mandane in Artaserse with Haymarket Opera (photo: Elliot Mandel)

“Fons’ Mandane was every bit as gripping, too, sharpening her luxurious mezzo to deadly points in the first act and lacing it with sobs in the third.”Hannah Edgar at The Chicago Tribune Read the full review Mandane in Artaserse with Haymarket Opera (photo: Elliot Mandel)

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Nicklausse in Les Contes D’Hoffmann

Emily Fons is a superb mezzo-soprano voice in her role as Nicklausse and the Muse of Poetry. Fons’ opening aria, “Voyez la sous son éventail” showed her dramatic versatility and presence on stage.   Sarah Hutchings, Palm Beach Daily News

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Rosina in Barber of Seville with Cincinnati Opera

“In her company debut, Fons sparkled as Rosina every moment she was onstage. She impressed with seamless flights of coloratura in the showpiece, “Una voce poco fa,” promising whoever marries her, “I’m docile, but if you cross me, I become a viper.” Her high-flying vocal cadenzas and plush lower range dazzled in moments such as…

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Cherubino in Le Nozze di Figaro with Canadian Opera Company

“Emily Fons, reprising her role from the 2016 production as the young page Cherubino, also deserves praise. She perfectly captures the character’s naivety and boyish tendencies in the trouser role, and her bell-like voice drew sustained applause on opening night after her second act aria, Voi che sapete.” – Joshua Chong Next Magazine 

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Rosina in The Barber of Seville with Santa Fe Opera

Multiple musical elements of this production went back to Rossini’s original conception of the opera, premiered in Rome in 1816, beginning with casting the puissant mezzo-soprano Emily Fons as Rosina. Her immaculate runs and embellishments took her into the role’s rich lower range, with not quite as many soprano high notes added, giving the role…

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