Dorabella in Cosi fan tutte
"Mezzo-soprano Emily Fons combines stylized robotic movement with luxurious legato as Dorabella, her shimmering coloratura a glimpse of the prowess she must bring to her multiple Handel...
Donna Elvira in Don Giovanni with Madison Opera
"This entire cast is talented, but Burton, as well as Emily Fons as Donna Elvira are the production's stars. Both women are cast perfectly for...
Mandane in Artaserse
"Fons' Mandane was every bit as gripping, too, sharpening her luxurious mezzo to deadly points in the first act and lacing it with sobs in...
Nicklausse in Les Contes D’Hoffmann
"The mezzo soprano Emily Fons brought a plush voice, with shining high notes, to the role of the Muse of poetry and Hoffmann’s sidekick Niklausse."...
Nicklausse in Les Contes D’Hoffmann
Emily Fons is a superb mezzo-soprano voice in her role as Nicklausse and the Muse of Poetry. Fons’ opening aria, “Voyez la sous son éventail”...
Rosina in Barber of Seville with Cincinnati Opera
"In her company debut, Fons sparkled as Rosina every moment she was onstage. She impressed with seamless flights of coloratura in the showpiece, “Una voce...
Cherubino in Le Nozze di Figaro with Canadian Opera Company
"Emily Fons, reprising her role from the 2016 production as the young page Cherubino, also deserves praise. She perfectly captures the character’s naivety and boyish...
Rosina in The Barber of Seville with Santa Fe Opera
Multiple musical elements of this production went back to Rossini’s original conception of the opera, premiered in Rome in 1816, beginning with casting the puissant...
Ariodante in Ariodante with Göttingen International Handel Festival
Mezzo-soprano Emily Fons led the way in the title role of Ariodante with an iridescent performance in which the radiant beauty of her voice combined...
Rosina in Il Barbiere Di Siviglia with San Diego Opera
"...feisty mezzo-soprano Emily Fons took center stage. With Rosina’s opening cavatina, “Una voce poco fa,” it became clear: Fons was really in command. Fons’s voice—bright,...
